Installation view of Ezz Monem, And He Said: This is Power?, presented at Gertrude Glasshouse, 2024. Courtesy of the artist and THIS IS NO FANTASY, Naarm Melbourne. Photo: Christian Capurro
Installation view of Ezz Monem’s work Mohamed Mohamed Mohamed on display as part of NGV Triennial from 3 December 2023 – 7 April 2024 at NGV International, Melbourne. Photo: Sean Fennessy.
Timber wall painted by Majed Fayad, Ohakune paint, Tasmanian Oak frames, archival pigment prints, 41 x 29 cm (framed); 240 x 320 x 65 cm.
Installation view, Gertrude Studios 2022, featuring ‘Touching the Pyramids: Majed meets Baldessari, Ohakune, 23 October’ by Ezz Monem, 2022 presented as part of Gertrude Studios 2022, curated by Tim Riley Walsh at Gertrude Contemporary. Photo: Christian Capurro.
Timber wall painted by Majed Fayad, Ohakune paint, Tasmanian Oak frames, archival pigment prints, 41 x 29 cm (framed); 240 x 320 x 65 cm.
‘In Search of Mohamed’, installation shots at the at the 2021 VCA Art Grad Show, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, bronze, 2021. Documentation by ALEC.
‘In Search of Mohamed’, installation shots at the VCA Artspace, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, plywood, 2021.
‘In Search of Mohamed’, installation shot, multi-channel video and sound, 35mm slides, Kodak Ektapro slide projector, CRT TVs, bronze, 2022.
Documentation by Simon Strong. Courtesy of THIS IS NO FANTASY.
‘In search of Mohamed: archive of opening credits’, installation shots from the group exhibition ‘From Where I stand #3’, curated by Kim Donaldson, VCA Artspace, 35mm slides, Kodak Ektapro slide projector, case, stool, editions of 5 + AP, 2021.
‘In search of Mohamed: relics #2; footprint’, bronze, editions of 3 + AP, 2021.
‘The Pyramids Postcards: Following the Policeman’, installation shot at KINGS Artist-Run gallery, Melbourne, 2019. Photo by Chris Bowes. Left: ‘The Pyramids Postcards: Following the Policeman’, Oil on Silver Gelatin prints, edition 1 of 5 + 1AP, 41cmX29cm each, custom Tasmanian Oak frame. Right: Delivered postcards, Oil on Silver Gelatin print, silkscreen, stamps, text in an acrylic box, 52cmX35cmX25cm.
‘I see. I can see you’re tired of living here’, installation shot at VCA Artspace, pigment prints, Tasmanian Oak frames, edition 1 of 5, 2021.
‘Cow without a head’, print on fabric, 248cmX195cm, 2010, printed in 2015. From the closing event of ‘Revolutionary Failure’ exhibition at Noir Darkroom, 2021.
‘Vinegar..Soldier..Coke’, cyanotype on cotton paper, 60cmX120cm each, edition 2 of 6, 2011, printed in 2016. From the closing event of ‘Revolutionary Failure’ at Noir Darkroom, 2021.
‘Revolutionary Failure’, installation shot at Noir Darkroom. archival pigment prints, edition 1 of 5, 41cmX29cm each, custom Tasmanian Oak frames, 2021.
‘Delivered Orders’, installation shot at Seventh gallery, c-type prints, edition 1 of 6, 70cmX33cm each, cardboards, pizza boxes, 2020. Photo by: Lucy Foster.
‘UberEats’, concrete, foam, plinth, pizza boxes, 2020. Cast made by: Lara Chamas, photo by: Lucy Foster.
‘It Is Not My Fault’, pigment prints, Saad Zaghloul culture center, 2016.
‘Formal Specters’, installation shot at Artellewa space, 2016.